Small Fiction: Memory Palace

Photograph of a wealthy abandoned house with broken chair in the foreground, for Memory Palace by Malin James

From Matthias Haker’s Decay series

She looked up at the dripping world. Water dripping from dripping skies only to disappear into the gray-green grass. The water did not saturate. It disappeared into the grass, which was full to the brim with emptiness.

His shoes, worn out New Balances that collapsed, unable to hold their shape without a foot, were empty, unable to bear up. His Apple mug from the eighties was empty, as was his particle physics cup. She wished she hadn’t washed them yet. He’d them bought for nostalgic purposes. Not nostalgia. Nostalgic purposes. Because that’s the way he’d talked.

He’d liked things that had purpose, things that held memories were all right, but better yet if they also information or reminders of coffee or M&M’s. Even things that held memories should do something more than gather dust like his mother’s porcelain squirrels.

Their house full is full of things with purpose. (His mother’s squirrels went to a charity shop, after she died). Now he is gone and his shoes are empty, but she has his mugs…. She has his things with purpose, that have, just recently, acquired a new one. They must organize her memories of him. Half-finished books bought on that trip to Sonoma, the cord to an old cell that he kept in a shoebox, just in case, (“just in case” could be a worthy purpose). She would keep his favorite gin. She would keep his dark-roast in the jam jar. She would not consume them, for to do so would be to steal them from their purpose.

Small Fiction: Cold War

Black and white historical photograph of a woman standing at the Berlin Wall circa 1962 for Flash Fiction: Cold War by Malin James

Berlin Wall, c. 1962

She was prone to overthinking. Aggressive, determined thinking  formed a wall around the process of life, which she could not control. She deployed distractions and analysis with Soviet subtlety, creating, over time, a network of protections. One department no longer knew what the others were doing. Left hand fooling the right.

She did this cloak and dagger for years – years and years and a lifetime – until cuts were made, and a colder, less stable government dismantled the agency of her cognition. Even concrete crumbles with age, but habits are hard to break, especially the girders in a foundation. The woman became a mouse in the concrete wall, sealing the cracks up with crumbs.

Small Fiction: The Couch

Black and white historical photograph of a 19th century chaise lounge for Flash Fiction: Grounded by Malin James

19th c. chaise lounge

She sits on the  dubious comfort of a well-intentioned couch. It had once been roly-poly, but its horsehair stuffing had been flattened by time and use. Now, it was a child’s drawing of the thing it’s supposed to be.

Equally dubious, she sits on the aspirational couch and allows Dr. Salt to prod at her equally flattened softness. Resentfully, she feels her stuffing begin to ooze. She sets her jaw and jams it back in. She does not like Dr. Salt, but she had promised Henry. Sadness has made her difficult to live with.

Dr. Salt’s techniques are reasonable, but they strike her as somewhat sinister. He calls them “grounding”, as if she were lightening that must be bottled.

How does the couch feel, Dr. Salt drones. Tell me, how does it feel?

Dr. Salt, she thinks, looks determined.

“Dead”, she replies. She is determined too, and it shows on her face, which is cool, and smooth, hard. Very unlike the couch.

Dr. Salt’s brow furrows with clinical concern. She frowns and sees that she’d better explain.

“The couch is an object, Dr. Salt. In terms of feeling, it’s a dead thing. It has no nerves, no skin. There is nothing to hurt. Or is that not what you meant?”

Dr. Salt is quiet.

She plucks at a loose thread in the brocade, certain that she is not causing pain.

Fiction: Nighthawks

Nighthawks by Edward Hopper, 1942

Rose

Rose looked at her reflection in the polished mahogany counter. She didn’t look good. The day had caught up to her, stripped her color and sharpened her face. She dabbed at her lipstick with a napkin. Too red. It looked funny. Rose put the napkin down. She used to like that red. So had Eddie. Eddie had liked that color.

Red, red lips for my red, red, Rose….

Rose’s hand plucked at her earring, her coffee, her locket, before inching over to rest on Rob’s sleeve. She liked the feel of his woolen jacket under her quick, nervous fingers. Nice and warm. Solid. Rob. She sighed. It had been a long day. It was time to go. She wanted to say that. It’s been a long day. It’s time to go. But his downcast eyes trapped the words in her mouth. He wasn’t ready yet. She could wait.

Widowed at thirty. Thirty was too young for how she felt. For how she looked too. Her reflection looked worn out and old—not pretty anymore. Her eyes slid to the floor. She didn’t really care. Everyone was dead. Eddie was dead. The baby was dead. Her father—hers and Rob’s—was dead, but that was nothing to cry about. Their father had been a lucky son-of-a-bitch.

Rose glanced at her brother and stopped the thought, just in case he read her mind. Sometimes he could. He couldn’t, not really. But sometimes he knew. She couldn’t read his either, but sometimes…. She clutched her thick, glazed coffee mug with both hands, prepared to wait.

It’s been a long day. It’s time to go home.

She looked at Robbie’s profile, his hawkish face, and quietly looked away.

The dead weren’t lucky, but she felt like they were. She couldn’t say that to anyone, especially her baby brother. He didn’t need to hear it. He’d done enough already – more than she wanted him to. He’d visited her in the hospital and tied pink ribbons around her wrists. He came by or called every day. He worried so much. She made him worry.

You worry, Robbie. You worry too much.

She was tired. It was time to go home.

Rose sighed, a small, shallow breath. Everything was done. This time he’d have nothing to find. Poor Robbie.  She was glad they’d spent the whole day. Rose fingered her locket. The gold was warm. It felt soft when she pressed it. There was a picture of Eddie and the baby inside.

She glanced at her brother through her sweep of red hair. Red, red hair. Red, red Rose. Rob’s comfortable silence was the only thing she would miss. His face looked dark, like a shuttered house. No lights. Locked doors. She had to wait for him to be ready. They would sit together in this in-between place, coffee cold in their cups. When he was ready, he would take her home, and then she would go to Eddie and the baby. She loved her brother. She could wait.

Robert

Robert knew that she was going to try it again. He could read it like newsprint in the lines around her mouth. He missed her smile, her real smile, her cracking, half-cocked grin. He hadn’t seen it in months. Instead he got what she gave him now…pale lips under too much lipstick. Her hand was cold on his arm.

She’d gotten dressed up for their day out, special occasion dressed up—Hayworth hair, her favorite pink dress, she’d even worn perfume. But her bones were sharp beneath her collar. Her wrists were thin and hard. He wished she’d worn a sweater. It was turning cold, too cold for a thin, silk dress.

Why don’t you bring a sweater, Rosy?

I’ll be okay.

The second she’d said that, he’d known. That dress, her hair, her too bright face…he’d known exactly what was coming, and he didn’t want to know.

He lit a cigarette and let it burn. Tiny column of ash. Then he lit another. Beside him Rose shifted, patient, silent. She wanted to go home.

See you tomorrow, Rose

I love you, Rob.

Robert sipped his coffee. He should say something. He should stop her. But, Jesus, she looked spent up…. Rob glanced at his sister, though the sweep of her strawberry hair, but he couldn’t see her face. He wasn’t sure he wanted to. Robert signaled for the check. It was time to take her home.

“More coffee?”

Robert paused.

The waiter poured.

One more cup.

Charlie

Wish that kid would quit staring and do his job. Goddamn coffee’s cold.

Across the diner, the old man hunched over the counter like a bulldog over a bone. He eyed the yellow-haired waiter, who was eyeing the redheaded girl. Like staring was going help her. A gal like that never left her man, not if he beat her into the ground. After thirty years he knew.

Charlie rubbed his bum knee. He wished he could sleep. He hadn’t slept since he’d retired. Not a full eight hours. Not in a month. Best wishes, Charlie! Retirement—you lucky son-of-a-bitch!

Yeah. Real lucky.

Charlie leaned back on the hard stool, regretting the watch the boys at the precinct had given him. He hated fishing, hated crosswords. His buddies were still on the force. Doris was remarried and Katie was busy, making a life of her own. She’d even gotten a job—secretary at some firm. Smart girl. Katie had always been smart. Maybe not pretty, but smart. He could hear Doris telling her to dress up nice for work. Christ, he wished Doris would shut-up.

Charlie shot the waiter a look and clacked his cup softly. The kid strolled over, refilled it from the urn and handed it back to him. Up close, Charlie realized, the kid wasn’t much of a kid. Pushing thirty, he’d bet. Charlie grunted. At twenty-six, he’d already been on the force for five years. Guy should get a real job.

Charlie looked out the diner’s plate-glass window at the dark, disinterested street. What did you do when you got cut loose?  Kid’s got his whole life and he wastes it, like it’s something to toss away. The old man shifted. He was starting to hate that kid….

He should probably head home. It was a long walk back to his place. Maybe that would wear him out. He reached for his wallet, straining the seams of his suit. Cheap suit. Work suit. He took out his Luckies instead. One cigarette. One more cup. Then he’d toss a buck on the counter and take the long walk home. Back to his apartment. He hated that apartment. He hated the way it looked—half empty, full of nothing worth saying, like old newsprint. He hadn’t seen it that way before. He hadn’t had time—he’d barely ever been home. Now he saw every night. Charlie sucked the hot coffee between his teeth.

Christ, he wished he could sleep.

Joe

That lady looks sick. Joe glanced up from a tray of half-empty saltshakers. What’s she doing out so late with that guy, anyway? She looks like she should be in a hospital or something….

Joe shook his head and refilled the shakers without taking his eyes off the lady in the pink dress. He was good at working and watching. He never spilled.

Look at how she’s holding his arm, he thought. Like she’s gonna drown and he’s the only thing keeping her afloat.

That was good, Joe thought. He had to write that down. He stopped pouring and wiped his hands before getting out the little notebook he kept in his apron pocket.

He loved working the late shift. Nothing like it for writer’s block. Nothing like it for inspiration. The lady and her fella were great. He had to use them somewhere…maybe he’d put her in a sanitarium and make the guy her lover. And the guy… a private eye with a shady past? Maybe he broke her out and now they’re on the run. However Joe wrote it, it was gonna be tragic. That lady was tragic all over.

Joe glanced across the counter at the old guy sitting on his own. Not much there. Just a sad sack. He wasn’t as compelling but Joe could work with it. Maybe a tired crime boss or a has-been reporter. Joe studied the man nursing his hundredth cup of coffee. Thickset. Stubborn build. Angry mug. Joe nodded and grinned. He’d make the old guy the redhead’s father. Iron fist with heart of gold.

The old guy shot Joe a belligerent look.

Skip the heart of gold.

Joe shrugged. Even after he’d sold the novel, he’d still work the graveyard shift. He loved the diner at night. Nothing like it for writer’s block. Nothing like it for inspiration.

Joe pulled out a pen. Down the counter, the man paid the tab and helped the lady up. She stumbled. He caught her. Joe bent over his notes. He barely looked up as they left.

THE END

Portrait: Jean the Ambiguous

I love androgyny. I always have – from Marlene Dietrich in a tux to David Bowie in anything – androgyny is beautiful to me. It’s been a while since I posted a bit of fiction, so I dug into the archives, (i.e.: the ancient, dusty files on my hard drive), and unearthed this character study. After a bit of dusting off, I remembered by I’d written it – I rather love Jean. In fact, Jean will very likely end up in a story of Jean’s own. In the meantime, however, here’s a sketch of the fabulous Jean, who defies the constraint of labels and gender. 

Jean the Ambiguous

androgenous jeanOne can only begin to description of Jean by saying that Jean is French. Though Jean’s nationality has little practical bearing on Jean’s personal behavior (aside from a certain pronounced flair), the fact the Jean is French factors into a separate, pivotal, matter—the interpretation of Jean’s name. Or, to put it more succinctly, the choice of pronoun one uses reference to Jean.

You see, the French spelling of “Jean” is not “gender specific,” and neither, really, is Jean. If Jean were only English, (or American in a pinch), the ease of gendered spelling would see one through—“Jean” or “Gene”, “he” or “she.” The question of pronoun would cease to exist.

Ironically, the ambiguity of Jean’s name is a perfect reflection of Jean, which, though prickly to admit, is the root of the difficulty. One must also admit that a contributing factor is Jean’s stubborn (though admittedly suave) insistence on not offering any definitive evidence as to gender in either dress or manner. Allow me to clarify.

Jean is tall and slender – tall for a woman (though not unthinkably so) and quite average for a man. Jean’s hands are fine-boned, with long, rather sensitive looking fingers – Jean has the hands of a fine woman or an accomplished musician. Unfortunately, Jean’s income and fame are entirely due to the virtuosity with which Jean plays the violin, so there is little help there.

That’s all fine and good, you must be thinking, but one can surely tell a person’s gender from his or her manner of dress! In answer to this, I’ll admit that it’s true in most cases. But Jean’s manner of dress is unconventional for either sex—tailored suit with a flared coat; French cuffs and lovely jeweled links; a snowy white shirt with a ruffled front; dramatically high collar; crisply knotted tie. The lacquered longish hair adds to the confusion. Is Jean a woman with short hair, or a man with long? It’s impossible to tell.  The only thing one can say for sure is that Jean’s cologne, (or perfume), smells quite good.

So clothing is no help, and neither is bearing. There is always seduction in the large, smudged eyes; a feline smile on the pale, oval face. One moment, one is sure one has solved the riddle of Jean, only to see the picture change….

And so what is one to do? Ask leading questions? Jean smiles mysteriously, (or negligently or indulgently or flirtatiously), and one is dazzled but no closer to knowing which pronoun to use. And so the mystery continues, adding flame to the fire, and fueling the allure of the obsession that is Jean.

Note 3/16/14: Just this morning, I received the lovely news that this post was given the Gender-Bender Award by the lovely mind behind Tiffany’s Non-Blog. Needless to say, I’m quite honored that a character I’m so fond of turned someone’s head in such a wonderful way. Thank you so much!

gender-bender-award1

Bluebeard’s Clever Wife

For a bit of levity at the end of the week, I’m posting a little story I wrote. It’s a fairy tale and it’s a bon bon, but it’s tiny – tiny enough to swallow whole. I hope you enjoy…

Bluebeard’s Clever Wife

Once upon a time, a girl married a man. He had a shady reputation, but she thought he was kind of cute. Plus, he was rich – not that she noticed, of course. So they married, and went to live in his castle, which was very nice and extremely isolated because he liked his alone time.

One day, shortly after they married, he told her that he had to leave on business. He gave her the keys to every lock in the house and told her she could open them all, except for one.

“Don’t, under any circumstances, open that door,” he said, pointing to a black oak door with a large iron lock. “If you do, I’ll have to kill you. Fair warning.”

Then he left.

Always a dutiful soul, she waited until the door closed behind him to go to the forbidden room. What she found shocked her. Bits and pieces of his former wives were scattered about like puzzle pieces. Hands, torsos, heads… the place was a wreck. Unable to stand the mess, she went to work reassembling the ladies, until they were all lined up, neat as pins.

She was just congratulating herself on a job well done when her husband came back home. Apparently, it had all be nothing but a test. When he discovered her in his secret room, he was understandably upset, but she impressed upon him importance of keeping things tidy. Then she showed him her improvements, which included a clever little bucket for miscellanious parts.

Bluebeard was so struck by her logic, and by the convenience of having everything close to hand, that he quickly forgave her with a hearty laugh. From that day forward, he left the door unlocked, while she, inspired by her husband’s hobby, took up the study of anatomy. They lived happily ever after.